LTU technologies Releases New LTU engine

LTU technologies, a multimedia content control solutions provider, announced a new version of its LTU engine, a comprehensive platform that packages LTU's suite of image, video content control, and search tools into one platform, using one single application programming interface (API).

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  • L'équipe de Techno-Science.net se joint à moi pour vous souhaiter une très bonne et heureuse année...Source : Techno Sciences (s'abonner)

  • SESION TECHNO GROOVE DE PET DOCA 19/12/2009 GRANADA
    Hola muy buenas, Somos Pet DoCa y te mandamos nuestra sesion para el concurso de dj´s. Espero que esta vez si este el enlace bien.

    Nuestros Comienzos:

    Pet DoCa es un grupo de dj´s compuesto por dos amigos (Francis y Armando), Nuestro nombre esta compuesto por las palabras DoCa porque Francis es Dj Cabrera y Armando es Dj Doezon, Si coges las 2 primeras palabras y le das la vuelta de cada uno de nuetros nombres artístico sale nuestro nombre actual.

    Tiempo de inicios:

    Todo comienza hace 4 años cuando nos conocimos y nos icimos grandes amigos. Daba la casualidad de que a los dos nos gustaba la musica electrónica y por ello decidimos hacernos dj´s. Empezamos pinchando break beat que por aquel entonces era el Boom y luego nos pasamos al Hard Tenchno Groove. En la actualidad es lo que seguimos pinchando.

    Nuestra Sesion:
    Tiene una duración de unos 56 minutos aproximadamente y es de Hard Techno Groove. Este llena de buenas mezclas y efectos. Está realizada con dos platos technics Mk5 y una mesa de mezclas Pioneer DJM-800.

    EnlaceS de SesioN:

    .megaupload.com/?d=XWY5DTC9

    emoxion.com/musica/mp3/ver/pet-doca/pet-doca-granada-concurso-djs/3768

    POR FAVOR SI NO ES MUCHO PEDIR VOTA ESTA SESION DE PET DOCA EN ESTA DIRECCIÓN PARA QUE PODAMOS GANAR EL CONCURSO DE DJ´S:

    elektraradio.com/page2.php

    MUCHAS GRACIAS Y COMENTAR LA SESION QUE OS PARECE

  • Techno mit Marcus Carp, Deo und Z-Man.
    alle Infos

  • Syngress Publishing will again be our bookstore at Techno Forensics 2008 on October 27 - 29 at NIST Headquarters in Gaithersburg Maryland. They will be bringing dozens of their latest titles including the five books that we have co-authored for them.The latest Techno Security's Guide series book is titled "Techno Security's Guide to Securing SCADA" and it will be in print by mid-July. Many of the authors of our books will be available at Techno Forensics for book signings, personal networking and interviews.Here's the link to the Securing SCADA description on Amazon.

  • 0,99 EUR (0 Enchère) Fin: dimanche janv.-10-2010 18:52:29 CETEnchérir | Ajouter à la liste d'Affaires à suivre

  • Tonight's Bootlegging Final & Closing night for Neat at Grodan is an absolute must with lots of good artists, total delirium garanteed.Come if you dare, support Van Rivers&TheSubliminalKid's battle Vs Le Choix (Radio LoCash) and shake yer ass off.Here's a little warm up for the remaining hours:Goldfish - Panic - Piemont Remix.mp3Motorcitysoul - Kazan (Exit Cube) - Original Mix.mp3...Techno, Techno, Techno!!/Noseblood

  • In the past 20 years, no other musical genre has mesmerized German people more than Techno music. It is obvious that no other music is able to connect with the German soul in a symbiotic fashion like Techno music can, and accordingly Germany is the only country left on this planet where Techno music is still thriving today. While young, easily impressed people in basically all other countries have long moved on to other genres of music, German people still consider Techno music as the most state-of-the-art extravagant musical art form that exists today.
    Being painfully aware of the danger of getting labeled once again as “following yesterdays trends”, German people became very creative in giving Techno music different names on a regular basis. For example, some of the more recent names they used were “minimal”, “elektro”, or “nu rave”. That way, they created the illusion of being into a hot, edgy new music trend, while in reality they were always listening to the same kind of nosebleed, 4/4 beat, marching Techno music.
    German people use music as an extension of their ego, hence it is crucial to understand why they can’t let go of a tired 90s dance music fad that never was really interesting to begin with. In the beginning of Techno music and its “rave” party culture around the year 1990, German people were mere consumers of Techno music, a new trend they picked up, you guessed right, relatively late. But boy, did they get into it. Being efficient party planners, Germans created the world’s biggest outdoor party, the “Love Parade”, and soon many German people were into Techno music so much they felt the need to be exposed to it 24/7, so they quit their “boring” and “uncool” jobs to start a career in Techno music - becoming DJs, record store owners, graphics designers, or drug dealers. Their self-proclaimed mission was to start a new, better society, based on love and respect for each other, getting rid of the pushy, competitive nature of the business world, and living in a ever-relaxed utopia filled with peace and harmony. Nowadays, Germany might be the only country where this parallel society of cool, edgy, and super-relaxed people is still going strong. The center of the Techno music world now being Berlin, basically every foreign DJ or Techno music producer who was fed up being ridiculed for his taste in music is now residing there. Hence, unless you are already in Berlin, and need a cheap and easy way to make yourself more interesting, just say “I will move to Berlin soon”. The German person will get dreamy-eyed and congratulate you on that decision, often saying “Ahh, that’s the most exciting place to be in right now, and you can live there with little money”. Then the German person will launch into a 20 minute speech about who of his or her friends have already moved to Berlin, love it there, and give you insider information on cool new bars and art galleries. A word of warning: Don’t mention Berlin to people from Hamburg. They are known to hedge a big inferiority complex towards Berlin and the news of another person choosing Berlin over Hamburg might just be the straw that breaks the camel’s back.
    When you meet a German person who’s into Techno music (basically everybody under 70), you will quickly notice that the conversation seems to follow a certain pattern. This pattern is called the 1-up-you pattern. It is commendable to learn and be ready to use this soon. Here’s a typical conversation between two German techno lovers:
    I like this new style of Techno the DJ is playing tonight!
    Oh, really? It started to bore me long ago so I only listen tolately…
    Good for you. I heard Ricardo and Richie don’t approve of that style.
    You have no clue, I know Ricardo and Richie personally and I doubt they said that.
    You know them? Big deal. I met them at record store and personally gave them recommendations what new records to listen to!
    Dude, I own that record store!
    So what, I own the Record distribution you buy from, now what?
    I have a record label that provides your distribution with the records they sell.
    Ohh, impressive. I produce my own Techno music records that your label was too lame to pick up and now I am making 80.000 Euros on them that I will spend towards an Altbau apartmentand cocaine!
    Ha, I also produce records since 20 years and I get to play gigs all over Germany!
    That’s cute. I get invited to play all over Europe, even London!
    Europe is okay I guess, but I also played in the US a few times!
    Oh, okayyy..that place…I played in Tokyo once.
    Tokyo is sooo last decade. My friends there are telling me it has become totally boring. I did a gig in Fukuoka the other day which is universally accepted as the new trend capital of Japan!
    Good for you. I stopped playing gigs in capitalist countries and have been invited to play a Techno music gig in a Taliban village in Afghanistan, all expenses paid by the Goethe Institute.
    Uhh, now you’re just trying to be cool…
    Apparently, the no. 1 reason why German people and Techno music are a match made in heaven is that it enables them to build the biggest friggin’ hierarchical system of who’s cool and who’s not ever, much like yuppies would do, just without putting some real effort into it.
    Another reason why German people love Techno music is because they regard it as an “alternative” or “underground” culture. That doesn’t keep them from constantly seeking opportunities to give Techno music a broader exposure by marrying it to other, unanticipated genres, like classical music, in a edgy and quirky way.
    German people like to constantly benchmark other German people’s Techno music for it’s “underground credibility”. Therefore, they came up with a bunch of magazines that interview Techno music DJs and producers, review new records, and basically evaluate the whole world for it’s underground credibility from the Techno music point of view. So, to gain respect from a German person, you should get some of those magazines, like “De:bug”,”Groove”, or “Raveline” and read up on who is currently making more money DJing, producing records, or booking parties than your German acquaintance. Then you should say “Oh, thatguy? He totally sold out! I heard he is now even working for the Bild-Zeitung”. Your German friend will then see you as one of the good guys. Don’t be caught off guard though - if suddenly your German acquaintance lands a hit Techno music record, or is nominated for a German Grammy, you must be able to quickly do a 180 and change your official viewpoint to something like “well, I guess overground is the new underground, and it was about time Techno music receives the place it deserves”. As we learned earlier, in Germany the probability of being called a hypocrite is zero. By passing on pointing out some obvious contradictions in your German acquaintances’ ways, you are going to be invited to a lot of private after-hour parties and have plenty of opportunity to really get to know the best German people there.

    Permalink

  • Nao eh nenhum segredo que sem a influencia do 'dub' jamaicano muitos generos de musica eletronica e a propria cultura do remix em si nao existiriam como nos dias de hoje.Nesse caldeirao de influencias, efeitos mais primarios como o uso pesado do reverb, echo e phaser, somando-se a batidas 4x4 fez nascer um 'novo' sub genero - o dub techno. Dentro desse universo, o selo alemao Thinner eh responsavel pelos lancamentos mais bacanas.Se voce nao sabe do que estou falando, esse mix com alguns dos principais 'classicos' eh uma boa porta de entrada para esse obscuro sub genero.Foton - Instant Present mix (2009)01. Basic Channel – Round Four02. Chet – Urban Dharma03. Maurizio – M504. Quantec – Hidden Persuasion05. Basic Channel – Round Three w/ Paul st Hilaire06. Fluxion – Inductance07. Deadbeat – Abu Ghraib08. Jorge Gebauhr – Strange Fruits09. Mildiou – De Natura Rerum10. Substance – Relish Shed remix11. Marko Fuerstenberg – Far Out12. Lowtec Sound System – Stella Polaris13. Marko Fuerstenberg– Site 31214. Basic Channel – Phylysptrakit15. Luke Hess16. Cv313 – Dimensional Space

  • I created this mix a couple of years ago but never posted it. It consists of a bunch of songs that either began life as techno songs or used techno as a jumping off place. What's interesting is how "pop" they all are - how melodic, accessible, radio-ready. (Several of them were radio hits in one format or another.) It just goes to show that any genre - no matter how left-of-center its origins - can become part of the mainstream.1. The Orb - Little Fluffy Clouds The Orb's Adventures Beyond the Underworld2. Spiritualized - Ladies and Gentlemen We Are Floating in Space - S/T3. Royksopp - So Easy Melody AM4. Moby - South Side Play5. Chicane - Saltwater (Thrillseekers Mix) Behind the Sun6, Delerium w/ Matthew Sweet - Daylight Poem7. Mandalay - Beautiful (7" Canny Mix)8. Kings of Convenience - Toxic Girl Quiet Is the New Loud9. Everything But the Girl - Missing (Terry Todd Mix) Amplified Heart10. Cornershop - Brimful of Asha When I Was Born for the 7th Time11. Moodswings - State of Independence Moodfood12. One Dove - White Love Morning Dove White13. Leftfield - Open Up S/T14. Dido - Thankyou No Angel15. Deep Forest - Sweet Lullabye (Ambient Mix) S/TTechno Pop Mix<$BlogFeedsVertical$>

  • Cradled by a hot pillow and coughing into my bed sheet, I tried to ignore the repetitive thumping below. Boom -shriz, shriz, boom boom, and repeat. Finally I gave up on the Sunday afternoon nap my flu infused body could've used and went into lab for a little piece and quiet. Techno is not music. I accept that this form of unimaginative thumping is passable at a nightclub surrounded by strobing lights, too short skirts, and adequate alcohol. Even if there is no discernible tune, the pounding beat is useful in drowning out unwanted conversation or the shrieks of those in the too short shirts. But, there is no way in any possible form that this "music" is acceptable for pumping out on a quiet Sunday afternoon! There are people with colds out there just asking for a little time to nap! There are people out there with a 'gasp' taste in music that avoid said nightclubs due to the obnoxious beat. There are people out there who suffer miserable head-aches either from the repetitive thump of the blaring stereo downstairs or their head against the wall. If you are a techno lover, all I can say is there are a lot of forms of music out there, just give one a try. And please, please leave my Sunday alone.

  • In the past 20 years, no other musical genre has mesmerized German people more than Techno music. It is obvious that no other music is able to connect with the German soul in a symbiotic fashion like Techno music can, and accordingly Germany is the only country left on this planet where Techno music is still thriving today. While young, easily impressed people in basically all other countries have long moved on to other genres of music, German people still consider Techno music as the most state-of-the-art extravagant musical art form that exists today.
    Being painfully aware of the danger of getting labeled once again as “following yesterdays trends”, German people became very creative in giving Techno music different names on a regular basis. For example, some of the more recent names they used were “minimal”, “elektro”, or “nu rave”. That way, they created the illusion of being into a hot, edgy new music trend, while in reality they were always listening to the same kind of nosebleed, 4/4 beat, marching Techno music.
    German people use music as an extension of their ego, hence it is crucial to understand why they can’t let go of a tired 90s dance music fad that never was really interesting to begin with. In the beginning of Techno music and its “rave” party culture around the year 1990, German people were mere consumers of Techno music, a new trend they picked up, you guessed right, relatively late. But boy, did they get into it. Being efficient party planners, Germans created the world’s biggest outdoor party, the “Love Parade”, and soon many German people were into Techno music so much they felt the need to be exposed to it 24/7, so they quit their “boring” and “uncool” jobs to start a career in Techno music - becoming DJs, record store owners, graphics designers, or drug dealers. Their self-proclaimed mission was to start a new, better society, based on love and respect for each other, getting rid of the pushy, competitive nature of the business world, and living in a ever-relaxed utopia filled with peace and harmony. Nowadays, Germany might be the only country where this parallel society of cool, edgy, and super-relaxed people is still going strong. The center of the Techno music world now being Berlin, basically every foreign DJ or Techno music producer who was fed up being ridiculed for his taste in music is now residing there. Hence, unless you are already in Berlin, and need a cheap and easy way to make yourself more interesting, just say “I will move to Berlin soon”. The German person will get dreamy-eyed and congratulate you on that decision, often saying “Ahh, that’s the most exciting place to be in right now, and you can live there with little money”. Then the German person will launch into a 20 minute speech about who of his or her friends have already moved to Berlin, love it there, and give you insider information on cool new bars and art galleries. A word of warning: Don’t mention Berlin to people from Hamburg. They are known to hedge a big inferiority complex towards Berlin and the news of another person choosing Berlin over Hamburg might just be the straw that breaks the camel’s back.
    When you meet a German person who’s into Techno music (basically everybody under 70), you will quickly notice that the conversation seems to follow a certain pattern. This pattern is called the 1-up-you pattern. It is commendable to learn and be ready to use this soon. Here’s a typical conversation between two German techno lovers:
    I like this new style of Techno the DJ is playing tonight!
    Oh, really? It started to bore me long ago so I only listen tolately…
    Good for you. I heard Ricardo and Richie don’t approve of that style.
    You have no clue, I know Ricardo and Richie personally and I doubt they said that.
    You know them? Big deal. I met them at record store and personally gave them recommendations what new records to listen to!
    Dude, I own that record store!
    So what, I own the Record distribution you buy from, now what?
    I have a record label that provides your distribution with the records they sell.
    Ohh, impressive. I produce my own Techno music records that your label was too lame to pick up and now I am making 80.000 Euros on them that I will spend towards an Altbau apartmentand cocaine!
    Ha, I also produce records since 20 years and I get to play gigs all over Germany!
    That’s cute. I get invited to play all over Europe, even London!
    Europe is okay I guess, but I also played in the US a few times!
    Oh, okayyy..that place…I played in Tokyo once.
    Tokyo is sooo last decade. My friends there are telling me it has become totally boring. I did a gig in Fukuoka the other day which is universally accepted as the new trend capital of Japan!
    Good for you. I stopped playing gigs in capitalist countries and have been invited to play a Techno music gig in a Taliban village in Afghanistan, all expenses paid by the Goethe Institute.
    Uhh, now you’re just trying to be cool…
    Apparently, the no. 1 reason why German people and Techno music are a match made in heaven is that it enables them to build the biggest friggin’ hierarchical system of who’s cool and who’s not ever, much like yuppies would do, just without putting some real effort into it.
    Another reason why German people love Techno music is because they regard it as an “alternative” or “underground” culture. That doesn’t keep them from constantly seeking opportunities to give Techno music a broader exposure by marrying it to other, unanticipated genres, like classical music, in a edgy and quirky way.
    German people like to constantly benchmark other German people’s Techno music for it’s “underground credibility”. Therefore, they came up with a bunch of magazines that interview Techno music DJs and producers, review new records, and basically evaluate the whole world for it’s underground credibility from the Techno music point of view. So, to gain respect from a German person, you should get some of those magazines, like “De:bug”,”Groove”, or “Raveline” and read up on who is currently making more money DJing, producing records, or booking parties than your German acquaintance. Then you should say “Oh, thatguy? He totally sold out! I heard he is now even working for the Bild-Zeitung”. Your German friend will then see you as one of the good guys. Don’t be caught off guard though - if suddenly your German acquaintance lands a hit Techno music record, or is nominated for a German Grammy, you must be able to quickly do a 180 and change your official viewpoint to something like “well, I guess overground is the new underground, and it was about time Techno music receives the place it deserves”. As we learned earlier, in Germany the probability of being called a hypocrite is zero. By passing on pointing out some obvious contradictions in your German acquaintances’ ways, you are going to be invited to a lot of private after-hour parties and have plenty of opportunity to really get to know the best German people there.

    Permalink

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  • Dags att börja runda av och summera allas vårt 2005. Först ut Emil Arvidson som just hemkommen från New York konstaterar att klubbstockholm bytt indiepop mot techno.

  • Techno-Bio:I have an extensive background in software architecture, design, and development. Prior to joining the center, I was the lead developer at Abstract Edge, an interactive marketing firm which serviced both non-profit and corporate clients. I was also a senior developer at MaMaMedia, a children's educational Web site. I am an active open source contributer whose technical interests include Linux, Python, and Content Management.